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The Kwan-li-so Archipelago: N. C. Heikin’s “Kimjongilia” Reviewed

A shiny coat AND access to food - this goat must have powerful friends.

Goats don't usually get this much to eat, but this one is high up in the Party.

The hermetically sealed theocracy-meets-Stalinist dictatorship of North Korea does not allow foreign reporters or filmmakers onto their territory. The state’s quasi-racist ideology shuns them – they might taint Korean purity. So, aside from the Chinese and Russian workers who necessarily do cross-border business, or the odd tourist from harmless countries like Switzerland, there are not many people who can talk about North Korea with the kind of first-hand experience that makes a documentary especially compelling. N. C. Heikin’s Kimjongilia skirts around those foreign middlemen and goes directly to the source: North Korean refugees who have successfully made it to South Korea. Their stories, told through filmed interviews, are harrowing, horrifying, and rarely have a happy ending.

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